Directly accessible from the main foyer on the ground floor, the Stalls offer an immersive experience, with views generally excellent from the mid-stalls (Rows D-J). Be aware the stage is quite high; Rows A-C may have you looking up, which can become uncomfortable during longer performances.

Legroom is usually adequate, though taller theatregoers might find it a bit snug. The moderate rake means you might occasionally find your view partially obstructed by taller patrons in front, especially in the central block.

Seats at the ends of rows in the front half can have a slightly angled view. The Dress Circle overhang starts around Row K or L, potentially obscuring the very top of the stage for seats further back, though this is rarely an issue for most shows.

As the first balcony, the Dress Circle provides an excellent elevated perspective, often considered ideal for appreciating the full stage design. You'll find the best views in the central blocks of Rows A-F.

Legroom is generally good, especially in the front rows, though it can tighten up towards the rear. Shorter patrons in Row A should be aware of a minor obstruction from the safety rail along the front.

The circle's curve is quite pronounced; seats at the extreme ends of rows, such as A1 or A30, will have significantly restricted views, cutting off a substantial portion of the stage on the opposite side. Rest assured, these seats are typically clearly marked.

A good rake ensures clear sightlines over the heads of those in front.

Up in the Grand Circle, the second and highest balcony, you'll get a distant, bird's-eye view of the stage. This section feels quite high and steep, so it might not be suitable if you experience vertigo.

Legroom is generally more restricted throughout this level than in the Stalls or Dress Circle, becoming particularly snug in the rear rows. For shorter individuals, the safety rail at the front of Row A can cause a slight obstruction.

While central seats offer a comprehensive overview, the distance means fine details may be lost. Be aware that views from the very back rows can sometimes be partially obscured by the ceiling or lighting equipment, depending on the production's set design.

Side seats here also suffer from significant angling and distance, leading to restricted views.