The Stalls feature a gentle, uniform rake running from the stage back to Row L. The auditorium is famously adaptable; while it typically features a thrust or end-on stage backed by an exposed brick wall, the very front rows (Rows AA, A, and B) are frequently reconfigured or removed to match scenic requirements.

Centre seats in Rows B through E offer the absolute premium experience, providing perfect, eye-level sightlines clear of any structural hazards. By contrast, the rear Stalls suffer from a low Circle overhang starting around Row J, which compresses the ceiling height for Rows K and L and clips the top of tall set pieces.

Most importantly, because this Grade II listed brick structure requires load-bearing reinforcement, seven permanent support pillars are dotted throughout the Stalls. These columns create narrow but severe visual obstructions: front side pillars restrict views for outer seats such as C1, D1, D2, and E3 on the left, and C28, D27, D28, and E26 on the right, while mid-stalls columns directly block seats F18, F19, H19, H20, L21, and L22.

Surrounding seats in Rows G, J, and K (like G18, J19–20, and K19–20) are also sold as partially restricted due to pillars cutting diagonally across the field of view.

Perched closely to the auditorium walls, the Circle is a steeply stepped, tightly curved balcony. Its compact design means central seats (around 12 to 22) offer an incredibly vivid, panoramic aerial perspective of the stage.

However, the rows curve sharply toward the proscenium line at their ends. If you find yourself in these extreme side positions, you'll contend with a harsh, acute viewing angle where actors standing deep in the near wing will completely disappear from your line of sight.