The Stalls offer the venue's most expansive seating, arranged in a single, unbroken block that curves around the wide proscenium stage. A continuous rake from Row A to N ensures completely unobstructed sightlines over the audience ahead, with no structural pillars to spoil your view.

For the ultimate experience, aim for Centre seats in Rows D through H (seats 10 to 22); these are the sweet spot, placing you dead-Centre at a comfortable eye level with the entire stage floor clearly visible. Be aware that the rear Centre of this level features an architectural cutout in Rows M and N where the sound and lighting console is positioned.

This means patrons in the adjacent back corner seats (seats 1 to 9 or 22 to 29) will find themselves right next to the tech crew.

The Circle is a shallow, wide balcony, offering five rows (Rows A to E) divided by a central staircase aisle. While the balcony overhangs the Stalls starting at Row L, the high ceiling ensures that sitting underneath in Stalls Rows M or N won't clip the top of the stage frame, though you will lose some of the venue's natural acoustic resonance there.

For a highly affordable option, consider the single-file, numbered bench-style seats known as the Circle Slips (seats 1 to 8) and Gallery Slips (seats 9 to 22), which run along the left and right side walls. Be warned: these slips face the stage at a strict 90-degree side angle, meaning you'll need to turn your head sideways throughout the show.

Additionally, the metal safety railings along the gallery edge will partially intersect the sightlines of the lower-numbered seats in this section.