Criterion Theatre

For an immersive experience, the Stalls put you right in front of the relatively low stage, particularly in rows A-C, though you'll be looking up a bit. Access is via several flights of stairs down.

• Comfort: legroom is generally tight throughout, especially in central rows.
• Overhang: the Dress Circle overhang begins around row G or H, significantly impacting your view of the top of the stage from rows further back (from J/K onwards), potentially cutting off the set's upper reaches or high-stage action.
• Restricted view: the moderate rake can lead to obstructed views for shorter patrons behind taller people, particularly in middle to back sections.
• Value: side seats offer good value, but expect a slight head turn.

Widely considered to offer some of the best overall views, the Dress Circle is at street level for easy access. Central rows (A-E) provide a clear, comprehensive perspective of the entire production.

• Restricted view: the pronounced curve of the circle means extreme end seats (e.g., A1, A2, A20, A21) will have a more angled view, potentially missing action at the very sides of the stage.
• Comfort: legroom is generally better than in the Stalls but can still be snug for taller individuals.
• Overhang: the Upper Circle overhang starts around row F or G, potentially affecting the view of the very top of the stage from the back rows.
• Best view: the good rake ensures clear sightlines over heads.

Ascend via stairs to the Upper Circle for a good elevated view, providing a full perspective of the set design and overall staging. However, the increased distance from the stage means finer details of the performance may be harder to discern. Legroom here is generally tighter than in the Dress Circle. The rake is steep, which effectively aids in providing clear sightlines over heads, but the height can feel quite significant for some. Side seats in this section will have more pronounced angled views.