For an immersive experience, the Stalls put you right in front of the relatively low stage, particularly in rows A-C, though you'll be looking up a bit. Access is via several flights of stairs down.

Legroom is generally tight throughout, especially in central rows. The Dress Circle overhang begins around row G or H, significantly impacting your view of the top of the stage from rows further back (from J/K onwards), potentially cutting off the set's upper reaches or high-stage action.

The moderate rake can lead to obstructed views for shorter patrons behind taller people, particularly in middle to back sections. Side seats offer good value, but expect a slight head turn.

Widely considered to offer some of the best overall views, the Dress Circle is at street level for easy access. Central rows (A-E) provide a clear, comprehensive perspective of the entire production.

However, the pronounced curve of the circle means extreme end seats (e.g., A1, A2, A20, A21) will have a more angled view, potentially missing action at the very sides of the stage. Legroom is generally better than in the Stalls but can still be snug for taller individuals.

The Upper Circle overhang starts around row F or G, potentially affecting the view of the very top of the stage from the back rows. The good rake ensures clear sightlines over heads.

Ascend via stairs to the Upper Circle for a good elevated view, providing a full perspective of the set design and overall staging. However, the increased distance from the stage means finer details of the performance may be harder to discern.

Legroom here is generally tighter than in the Dress Circle. The Balcony overhang is present, potentially affecting your view of the very top of the stage from the back rows (e.g., from row F/G onwards).

The rake is steep, which effectively aids in providing clear sightlines over heads, but the height can feel quite significant for some. Side seats in this section will have more pronounced angled views.

For the most affordable tickets, head to the Balcony, but be prepared for significant compromises. This is the highest and furthest seating level, accessed via multiple flights of stairs.

Views are distant, making the stage and performers appear small. Legroom is typically the most restricted in the entire theatre, often very tight.

For shorter individuals, the safety rail in front of the first row (Row A) can cause a partial obstruction, requiring you to lean forward. The rake is very steep, which helps with sightlines over heads but can feel disorienting for some.

The overall experience can feel quite detached from the performance, best suited for those prioritizing budget over an intimate viewing.