For a truly immersive, ground-level experience, the Stalls delivers. A strong rake throughout ensures generally clear sightlines over heads.

Rows A-C put you right in the action, offering an intimate connection, but be prepared to look significantly upwards – which can be uncomfortable for longer performances. Mid-stalls, from rows D-M, are often considered prime, striking an excellent balance between proximity and a comfortable viewing angle.

From row N backwards, you'll be under the overhang of the Circle. This can partially obscure the very top of the stage for taller sets or projections, particularly from row P onwards.

Legroom is generally good, with aisle seats offering a little extra stretch. Note that side seats in the front few rows may have slightly angled views of the stage.

For an excellent overview of the entire stage picture, allowing you to appreciate the full scale of productions, head to the Circle. This first elevated tier also benefits from a strong rake, ensuring good sightlines throughout.

In the front row (A), a safety rail is present which, for shorter patrons, might cause a minor obstruction to the very front edge of the stage, though this is generally not significant. Mid-Circle seats, from rows B-G, are highly sought after for their balanced perspective and consistently clear views.

From row H backwards, the Circle is under the overhang of the Upper Circle. Similar to the rear Stalls, this can cut off the very top of the stage for certain productions.

Legroom is generally comfortable across this level. Views from the side seats are typically good, with only a slight angle to the stage.