Right on the ground floor, the Stalls put you close to the action. The rake is generally good, providing clear sightlines over heads.

Legroom is standard for a theatre of this era, which may feel restrictive for taller individuals, particularly in central rows. If you're in the front rows (A-C), be prepared to look up, potentially causing neck strain for productions with significant vertical staging.

The Dress Circle overhang begins around row M/N, which can obscure the very top of the stage for those seated in the rear rows. Side Stalls seats offer an angled view, with increasing restriction towards the extreme sides.

Aisle seats typically provide marginally better legroom.

On the first balcony level, the Dress Circle is often considered to offer some of the best overall views, particularly from central seats. Its elevated position and excellent rake provide a great perspective on the stage.

Legroom is comparable to the Stalls, varying by row. A safety rail runs along the front of Row A, which may cause a minor obstruction for shorter people.

You won't typically find views impacted by the Upper Circle overhang here. Side seats provide a good, albeit angled, view of the stage.

Up in the highest seating tier, the Upper Circle provides a comprehensive, albeit distant, view of the entire stage. It features a steep rake, ensuring good sightlines over the heads of those in front.

Legroom is generally more restricted than in the lower tiers. A safety rail at the front of Row A can partially obstruct the view for shorter audience members.

While views are generally clear, the distance can diminish the detail of facial expressions. Extreme side seats may experience minor restrictions due to the angle.