You're right in the thick of it in the Front Stalls, the lower half of the auditorium, spanning 11 rows from A to L (omitting I). Divided into left, centre, and right by two vertical walkways, these seats offer an intimate, close-quarters experience, rising on a gentle slope from stage level.

The relatively low stage lip puts you right in the action from the front. The absolute sweet spot?

Centre seats 14 to 26 in Rows C through G, offering an ideal balance of acoustic clarity and eye-level visuals without neck strain. A word of caution for Rows A and B: the very front edge of the stage platform can slightly obscure the floor level.

This won't impact musical concerts, but may cause minor lower-body sightline restrictions for contemporary dance or physical theatre.

Just behind the main cross-aisle, the Rear Stalls span from Row AA to RR, built on a steep, stadium-style rake. This dramatic rise ensures you'll effortlessly see over the heads of the audience ahead.

For a superb, panoramic, and slightly elevated view—ideal for appreciating complex choreographies and full lighting designs—aim for Rows AA through FF in the Centre section. A note on the outer edges: these rows curve gently inward, meaning seats on the far outer edges face the stage at a diagonal angle rather than head-on.

The furthest rear rows (MM to RR) are quite a distance from the stage. While the acoustics remain pristine, making these excellent value for orchestral concerts, the physical distance can make it challenging to read facial expressions or catch small details during a play.