The Stalls, spread across the ground floor, are divided into three blocks by two long aisles. Given the Shaftesbury's large-scale musical focus, the stage is set quite high.

For unmatched intimacy, Rows A to C put you right in the action, but be prepared to crane your neck to catch the full scene. The sweet spot for a balanced view, perfect eye-level perspective, and optimal acoustics is the Centre block between Rows D and M, ideal for enjoying both choreography and facial expressions.

However, a significant caution: from Row N and further back, the Royal Circle overhang cuts off the top of the stage, which can seriously detract from shows with tall sets or high-level action.

On the first floor, the Royal Circle provides excellent elevated views, often considered optimal for a comprehensive stage picture. The good rake ensures clear sightlines over the heads of those in front of you.

Row A, the front row, offers an unobstructed view, though a safety rail may slightly impede the view for very short people. Legroom is generally comfortable, comparable to the Stalls.

Seats in the front central block (Rows A-F) are highly sought after. Side seats can offer a slightly angled perspective, particularly in the rows closest to the stage.

You'll be pleased to know the Upper Circle overhang does not impact views from this level.

Up on the second floor, the Grand Circle provides a high and distant, yet comprehensive, overview of the stage. The steep rake helps maintain clear sightlines over the heads of those in front.

While the view is panoramic, you'll find facial expressions and intricate details of the performance less discernible without binoculars due to the distance. Legroom can be more restricted compared to the Stalls and Royal Circle, particularly in the front rows.

In Row A, the front row, a safety rail can partially obstruct the view for shorter individuals. Be aware that seats towards the extreme sides of this level offer significantly angled views, potentially leading to neck strain from turning.

The very top of the stage may be slightly cut off for exceptionally tall sets, but this is rare.