On the ground floor, the Stalls generally offer good sightlines from around row E/F backwards, thanks to a decent rake. Be warned, though: rows A-D are very close to the stage, meaning you’ll be looking up significantly, and legroom here can be particularly tight, especially with the stage's height.

Further back, the Dress Circle overhang begins around row M/N, which might obscure the very top of the stage for exceptionally tall sets if you're in rows P or Q. Side seats in the front few rows can have minor restrictions from the proscenium arch.

For a little extra stretch, aisle seats typically offer marginally better legroom.

Often home to some of the theatre's best views, the Dress Circle, the first level above the Stalls, truly shines from its central block in rows A-E. A good rake ensures clear sightlines throughout.

Just be aware that the safety rail in front row A can cause a minor obstruction if you're on the shorter side. While generally offering better legroom than the front Stalls, it can still feel tight for taller individuals – a common feature in theatres of this age.

Side seats, particularly towards the ends of rows, will give you a slightly angled view but are generally unobstructed. The Grand Circle overhang won't typically affect your view here.

The Grand Circle is the second level above the Stalls. It features a steeper rake than the Dress Circle, which helps maintain good sightlines over the heads of those in front, despite being further from the stage.

Legroom is noticeably tighter compared to the Dress Circle. The safety rail in the front row (Row A) can be a more significant obstruction for shorter people due to the increased height and angle.

Side seats can have more pronounced angled views, and the overall perspective is more distant. The Balcony overhang can affect the very back rows (e.g., Row H, J) by potentially cutting off the very top of the stage for tall sets.

As the highest level in the theatre, the Balcony offers the most distant and elevated perspective. Its very steep rake can make you feel quite high and detached from the stage.

Legroom here is typically the most restricted in the entire theatre. For shorter patrons, the safety rail in front row A is a significant obstruction, often requiring you to lean forward to see.

Views from the side blocks are very acute and can be significantly restricted by both the angle and distance. While these seats are generally the most affordable, be aware that comfort and view quality are notably compromised, making it challenging to discern fine details on stage.