Tom Stoppard Theatre

For an intimate experience, the Stalls put you right in front of the action. Rows A-C are very close, which can mean looking up – potentially causing neck strain, especially for shows with high staging – and legroom here can be limited.

• Best view: from row D, the rake improves significantly, offering excellent sightlines over heads. Rows D-J are widely considered superb, providing clear, direct views.
• Overhang: be aware that the Royal Circle overhang starts around row K/L, which might slightly obscure the very top of the stage for those in the back rows (M-P), though this is usually minor.
• Restricted view: front side seats will have a slightly angled view.

Offering an elevated and often preferred perspective, the Royal Circle provides a comprehensive view of the entire production. The rake is good, ensuring clear sightlines throughout.

• Best view: Row A, the front row, boasts excellent, unobstructed views and typically generous legroom, though a safety rail might cause a minor obstruction for shorter individuals leaning forward. Rows B-E are highly sought after for their central, elevated position.
• Overhang: the Upper Circle overhang begins around row F/G, which might marginally affect the very top of the stage for those in the back rows (H-J), but rarely impacts the main action.
• Restricted view: side seats offer good views, but are angled.

The highest seating level, the Upper Circle offers a distant but comprehensive view of the stage. It features a steep rake, generally providing clear sightlines over those in front.

• Restricted view: Row A, the front row, gives a direct, elevated view, but be aware the safety rail can be a significant obstruction for shorter individuals. Side seats in this section can have more pronounced restricted views due to the angle and distance, potentially cutting off the extreme sides of the stage.
• Legroom: legroom throughout this section can be more restricted than in lower levels.
• Avoid: while you'll see the full picture, discerning details on actors' faces may be harder without binoculars, especially in the very back rows (E-G).