Located underground and reached via 32 steps down from the foyer, the Stalls level holds the largest portion of the theatre's capacity. The seating begins at Row C, bypassing Rows A and B entirely, and rests on a progressive incline that ensures completely clear, pillar-free views of the stage.

The Dress Circle above overhangs this tier beginning at Row P, resulting in a low ceiling in Rows T through X that clips the top of the proscenium arch. Centre seats in Rows G through L (seats 7 to 20) are the premium sweet spot, offering an ideal eye-level perspective without neck strain.

Standard legroom is tight due to the historic footprint, though seats J11 and J21 provide slightly more knee clearance, and modern floor-vent cooling keeps the entire subterranean level comfortable.

The Dress Circle, the first tier upstairs, sweeps in a broad horseshoe curve around the proscenium. For immaculate, elevated panoramic views of the stage, aim for the central seats in Rows A through D (seats 7 to 18).

However, be aware that the extreme side wings in Rows AA and BB face the performance at a sharp 90-degree angle, requiring you to lean forward to see the stage wings clearly. The Grand Circle overhangs the rear rows past Row K, which will cut off the very top of the stage frame if you stand during curtain calls.

While standard legroom is tight in the Centre block, the side Dress Circle Slips offer significantly more space as they lack seat backs directly in front. This tier is accessible via 15 steps from the foyer, or step-free via a Catherine Street entrance and platform lift, providing wheelchair space at AA11 and transfer seating at A24, alongside an accessible restroom.

Ascend 39 stairs from the foyer to the Grand Circle, the third tier upstairs, which holds 218 seats. Thanks to its steep vertical pitch, sightlines are excellent, and the heads of guests in front will rarely block your view.

Centre seats in Rows A through C provide clean, excellent sightlines, making this a smart choice for budget-conscious viewers. However, the front Row AA is sold at a lower price point because the heavy safety railing along the balcony ledge cuts directly through the lower field of view.

Legroom across the entire tier is highly compressed; tall patrons should target aisle seats to allow room to stretch their legs diagonally. Be prepared for a precipitous feel when moving down the steep central aisles.

Prepare for a grueling climb of 65 stairs from the foyer to reach the Balcony, the highest and most distant level, which holds 142 seats across Rows A through F. From here, you'll find yourself far removed from the stage, making it difficult to read facial expressions or catch quiet dialogue.

The front Row A is heavily obstructed by the mandatory balcony safety railing, forcing you to sit perfectly upright or peer underneath the metal barrier to see downstage action. The seats themselves are notoriously upright, firm, and tightly packed, offering minimal knee clearance, making this the most uncomfortable tier in the theatre.

Additionally, heat rises heavily into this upper dome, leaving the air noticeably warmer and more humid than any other section of the building.