The Prince Edward's Stalls are designed wide rather than deep, meaning even middle rows feel remarkably close to the stage. Seats are arranged in a gently curving block, split by two vertical aisles into a Centre section and two side wings.

The floor has a gradual rake that steepens towards the back. For the premium experience, aim for Rows D to K in the Centre block; these offer perfect audio alignment and ideal eye level with the stage.

Be warned, however: the Dress Circle overhang begins at Row N. By Row R, you'll face a strict letterbox view that cuts off the top half of the stage, significantly dampening the experience for musicals with tall sets or high-level visuals.

Arguably the best overall tier in the theatre, the Dress Circle wraps around the room in a smooth, shallow curve. Its exceptionally sharp rake guarantees your sightline easily clears the heads in front, providing a flawless, comprehensive perspective perfect for large dance ensembles, complex lighting, and grand sets.

For an immaculate view, choose Centre seats in Rows A through D (seats 10 to 25); Row A places you very close to the stage with no safety railing obstructing your line of sight. However, book the small slip rows extending down the sides with caution: though cheap, they offer a sharp side angle that hides any action on the near side of the performance space.

As the highest tier in the theatre, the Grand Circle is built on a steep incline to optimize overhead visibility. Due to the height and distance, performers will appear somewhat small, making it difficult to discern individual facial expressions.

While its aggressive slope ensures a clear view of the stage floor, the steepness can feel slightly daunting if you're uncomfortable with heights. Legroom here is standard, but expect it to become increasingly tight towards the back rows.

If you're on a budget, Row A offers the cleanest sightline, though depending on your height, a thin safety bar may sit at the very bottom of your field of vision.