Prince of Wales Theatre

Descend into the Stalls, a massive single tier below street level, a favourite for high-energy musical runs. The stage is quite high, so the very front rows mean looking up and can hide the stage floor; a few rows further back gives a much better angle. A smooth, gentle rake increases past the cross-aisle, guaranteeing excellent sightlines over heads throughout.

• Overhang: while the Delfont Circle structurally overhangs at Row P, the high, airy ceiling ensures it won't cut off the upper proscenium arch until the furthest rear Rows W through Z.
• Best view: for the ultimate premium sweet spot, aim for centre seats in Rows H through N (seats 14 to 26), which sit completely clear of the overhang, providing a perfectly framed eye-level view within the ideal spatial audio mix.
• Legroom: taller patrons will appreciate the exceptionally generous standard legroom, a benefit of the major 2004 renovation, and those in Row L (seats 11 to 29) directly behind the cross-aisle enjoy virtually infinite legroom.

Up in the Delfont Circle, you'll find a wide, single upper balcony designed with a sweeping curve that brings you surprisingly close to the stage. The seating is built on a sharp rake, noticeably steeper than the Stalls, offering a flawless, unobstructed aerial view over the heads in front.

• Restricted view: shorter patrons or children in Row A should be aware that the thick front safety railing can slice through their field of view, occasionally requiring them to lean forward. Because the balcony curves aggressively, the outermost seats (seats 1 to 4 and 39 to 42 in Rows A through D) view the performance at a sharp diagonal angle, causing minor cut-offs on the near downstage wing.
• Legroom: legroom in the mid-to-rear rows is slightly tighter than in the Stalls, but Row G, directly behind a cross-aisle, offers significantly extended knee clearance.
• Comfort: as heat naturally rises toward the Art Deco ceiling dome, it can get very hot here, especially during the summer months.