For a truly premium experience, aim for the centre seats in Rows F through K (seats 10 to 23) in the Stalls. Here, your line of sight naturally centres on the stage, bypassing front-row neck fatigue.

This subterranean level, accessed down a flight of stairs from the modernist foyer, holds about 480 seats, splitting into three sections past Row G. Rows A through C offer extreme proximity to the cast but demand a continuous upward head tilt and cut off the view of actors' feet due to the high stage and deep orchestra pit.

Past Row E, a steady, well-calibrated rake ensures unobstructed sightlines over the heads in front. The Dress Circle overhangs from Row N, and by Rows R through W, the ceiling creates a visual tunnel, clipping the upper sections of tall, multi-level sets, though the stage floor remains fully visible.

Taller patrons will find the modern velvet seats comfortable, and choosing seats along the longitudinal aisles past Row H (seats 9, 10, 23, and 24) offers excellent extra legroom on this consistently cool, air-conditioned level.

Offering some of the absolute best panoramic views in the theatre, the Dress Circle is the first elevated balcony, with approximately 310 seats. Its classic, tight Edwardian horseshoe curve provides an uncompromised look at complex scenic depths and lighting designs from Rows A through D.

Be aware that the extreme ends of Rows A through C (seats 1 to 4 and 27 to 30) curve sharply toward the stage boxes, creating a side-on angle that cuts off action in the nearest wing. While knee clearance in front Row A is heavily restricted by the solid balcony wall, Rows B through G offer improved legroom.

The Grand Circle projects over the rear of this tier from Row F, slightly clipping the very top of the proscenium frame past Row H. At the very back, Row J provides excellent back support and a clear view over the lower rows due to an increased step-up.

Prepare for a steep climb up a dedicated side-stairwell from the foyer to reach the Grand Circle, the highest tier with approximately 320 seats. This level is built on an aggressive, steep incline to maximize capacity, guaranteeing completely clear sightlines over the audience ahead, though the sheer height can feel vertiginous during entry and exit.

A thick metal safety bar runs along the front of Row A; for smaller adults or children, this bar cuts horizontally through the bottom of the stage view, requiring them to lean forward to see downstage action. The rear rows (Rows H to M) feel quite distant, and from this steep downward angle, the top of the set is partially clipped by the upper proscenium valance.

Legroom on this level is the tightest in the venue, with knees frequently pressing against the seat backs in front, making aisle seats highly recommended. Rising heat leaves this tier warmer and drier than the Stalls below.

Due to the steep steps and lack of passenger elevators, the Grand Circle is entirely unsuitable for patrons with limited mobility.