For that quintessential theatre experience, the mid-stalls (Rows D-M) are generally excellent and considered prime. A good rake ensures clear sightlines over heads.

Just be aware the stage is quite high; rows A-C will have you looking up significantly, which can become uncomfortable during longer performances. Legroom is standard for a historic theatre, meaning it can be limited, especially in central rows; aisle seats offer a touch more space.

From approximately Row P backwards, the Dress Circle overhang begins to affect the view of the very top of the stage, potentially cutting off the highest parts of the set or lighting rigs. Happily, you won't find any significant pillars to obstruct your view here.

Often considered the most desirable section, the Royal Circle (on the first floor) offers excellent panoramic views of the entire stage. Its height provides a superb perspective for appreciating the full stage design and choreography.

The rake is good, ensuring clear sightlines over rows in front. Legroom is comparable to the Stalls, which can be somewhat restricted, especially in central seats.

The front row (Row A) offers unobstructed views, though shorter people might find the safety rail slightly intrusive if they slouch. Seats towards the ends of rows may offer a slightly angled view of the stage.

The overhang from the Upper Circle begins to affect the view of the very top of the stage from the back rows (e.g., Row J onwards), potentially obscuring the highest parts of the set.

Perched on the second floor, the Upper Circle generally offers good value for money with clear views, albeit at a greater distance. Its elevated height provides a full overview of the production, and a steep rake helps maintain sightlines over heads.

Legroom here is typically more restricted than in the Stalls or Royal Circle, which taller individuals might find less comfortable. Front row (Row A) views are unobstructed, but the safety rail can be a minor issue for shorter audience members.

Extreme side seats may have noticeably angled or partially restricted views of the far side of the stage. In the very back rows, you might experience a slight cut-off of the very top of the stage due to the ceiling or the Balcony overhang.

The Balcony, the highest and furthest seating level from the stage, offers the most affordable tickets. Views are distant and from a significant height, providing a full overview of the stage but making it difficult to discern facial expressions or intricate details.

The rake is very steep, which generally ensures clear sightlines over the rows in front, but can feel quite vertiginous for some. Legroom in the Balcony is typically the most restricted in the theatre, making it less suitable for those requiring ample space.

The front row (Row A) has a safety rail that can obstruct the view for shorter individuals. Some seats, particularly towards the sides or very back, may have slightly restricted views due to the architecture or support pillars, though these are generally minor.

This section is best for those prioritising budget over proximity and detail.