The Stalls offer an immersive, ground-level experience, spreading wide from the proscenium. Be warned: Rows A to C, while close, can actually hinder your view of dance, as the stage lip often obscures dancers' feet and lower legs.

A consistent, effective rake ensures clear sightlines over those in front. While the First Circle begins to overhang the rear seats from Row P, the high ceiling means it only minimally affects the very top of the tallest set designs.

For the best of this level, aim for Centre Rows G through M – they strike the perfect balance of proximity for emotional connection and distance to appreciate full choreographic patterns.

Widely considered the best seats in the house for dance enthusiasts, the First Circle offers an ideal elevated perspective. From here, you get an unobstructed, overhead view of the stage floor, which is invaluable for appreciating complex geometric choreography, large ensemble formations, and the full impact of floor-level lighting.

Centre seats in Rows A through C provide flawless panoramic views, thanks to an exceptionally steep rake that guarantees clean sightlines. A word of caution: the long side slips, while budget-friendly, position you at a sharp side angle to the stage, meaning you'll miss details happening in the near wings.

As the highest and largest balcony tier, the Second Circle is built at a very steep angle. While the height and distance make it challenging to discern individual facial expressions or intricate hand movements without opera glasses, you'll gain a completely clean, comprehensive view of the entire stage layout.

Centre seats in Rows A through C offer phenomenal value, providing clear, unobstructed sightlines at a fraction of the price of lower levels. Be aware that the aggressive slope can feel slightly intimidating if you're uncomfortable with heights, and legroom tightens considerably in the rear half of this section, so taller patrons should aim for Row A or an aisle seat.