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Last chance: London shows closing over Christmas and New Year
Two star seasons and Stranger Things end in December, and several of London’s biggest musicals play their last performance on the first weekend of January. Here is each one, the date it ends, why it is worth catching, and the cheapest realistic way to get a seat before it goes.
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Closing before Christmas
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Limited seasons with famous names, ending in December. Once the Christmas rush starts, seats for these get scarce.
Noël Coward’s comedy of bad manners, in which every member of a theatrical family has invited a weekend guest and nobody is behaving. Christine Baranski makes her West End debut opposite Richard E. Grant, which is reason enough on its own.
Edward Albee’s night of drink and cruelty between two married couples, staged in the round by Marianne Elliott, with Gillian Anderson as Martha and Billy Crudup as George. Long and harrowing, and the kind of star casting that sells out its last weeks.
The stage prequel to the Netflix series, set in Hawkins in 1959, with stage effects people are still talking about on the way out. It won the Olivier for Best Entertainment, and after three years at the Phoenix its London run is ending.
Cheapest ways to see it
Rush. £25 Rush tickets available at 10:00 am every day from TodayTix app, 1 or 2 per person for that day's performances.
Early bird. Book at least 9 weeks in advance to save on tickets, including for peak shows.
The big ones. Several of London’s biggest shows play their last performance within a day or two of each other, so the first weekend of January is the last chance for all of them at once.
Tim Burton’s film as a loud, quick-fire musical: Alex Timbers directs, Eddie Perfect wrote the score, and the haunted-house set does a lot of the work. It is closing months earlier than planned, so anyone who assumed they had until spring does not.
Cheapest ways to see it
Rush. £30 Rush tickets available at 10:00 am every day from TodayTix app, 1 or 2 per person for that day's performances.
Early bird. Netherworld performances are Monday, Thursday and Friday evenings from 2 November to 4 December 2026, with most seats in each area at one price: £50 in the Stalls, £40 in the Dress Circle and the Loge, and £30 in the Grand Circle.
A stage version of the horror films, set in a couple’s new London flat. It has extended its run several times since opening, so it is one to check the closing date on rather than assume.
Cheapest ways to see it
Rush. £30 Rush tickets available at 10:00 am every day from TodayTix app, 1 or 2 per person for that day's performances.
The 20th-anniversary revival of the puppet musical, back in London with the original Broadway puppets. Rude, funny songs about being young and broke, performed by actors holding puppets in plain sight. It has already been extended once.
Cheapest ways to see it
Rush. £30 Rush tickets available at 10:00 am every day from TodayTix app, 1 or 2 per person for that day's performances.
Early bird. Book in advance and save £20 on every ticket priced £50 or more, for Monday to Friday performances until 18 December 2026.
A comedy that retells Titanic through the songs of Celine Dion, with two Olivier Awards behind it. The etiquette coach William Hanson plays Ruth for the closing weeks.
Cheapest ways to see it
Rush. £30 Rush tickets available at 10:00 am every day from TodayTix app, 1 or 2 per person for that day's performances.
Early bird. Splash! Sale performances are 22 selected evenings from 13 October to 15 December 2026, mostly Tuesday to Thursday, plus Sat 31 Oct and Sun 1 Nov.
Andrew Lloyd Webber and Tim Rice’s rock opera, with Sam Ryder as Jesus, in the staging that began at Regent’s Park and played the London Palladium before moving to Drury Lane. Herod is played by a rotating line-up of guest stars.
Robert Icke’s stage version of the Oscar-winning film, set in 1984 East Berlin, in which a Stasi officer listens in on a writer and an actor from the attic above them. Keira Knightley, Luke Thompson and Stephen Dillane lead the cast. A strictly limited transfer from the National Theatre.
Chekhov’s tragicomedy of a family losing its estate, in Conor McPherson’s new adaptation, directed by Ian Rickson with Kristin Scott Thomas in the lead.
Derren Brown’s eleventh London show: mind-reading, psychological illusion and storytelling, built around what it means to be human. A strictly limited season.